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elle mundy

@[email protected]

[follow requests welcome, but please have a bio & posts]
move slow & fix things
new yawk city baby
music • photography • poetry • code
🎸 since 1998
👩🏻‍💻 since 2006 (pro since 2012)
aka inkjetski • new single “autumn sunset” out now on bandcamp
lead guitarist in the fricatives, adam lagreca
building: uncut systems
prev: headway, sotheby’s, twitter, spotify, meetup, etc
full stack/platform/infra/sre
backup account: @exchgr

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the matte display drastically diminishes contrast and color saturation compared to a glossy screen like an iPad mini or iPhone 14 pro. unfortunately there's no option to get a glossy inner screen, because of that dang crease.

the good: the displays are a lot brighter. very readable in the shaded sun of the apple store. (i wasn't able to get any direct sunlight, so difficult to say if it's as good for that as an e-ink display.) looking forward to the oled iPad mini.

verdict: not worth $2000.

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the cool thing about software maps is you can reproject it every time you move the map so that the part you’re looking at is accurate in direction, shape, and size. it doesn’t have to be static like on paper

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i really hate that apple didn’t just make iPhone duo a squat iPhone when closed and an iPad mini when unfolded, using swiftUI’s dynamic resizing, instead opting to make it a special class of app that needs special intervention by app devs, many of whom will take a very long time to respond

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one obvious way llms introduce a flood of bug reports is bots flooding an open source project with fake bug reports. another is tricking an llm-friendly maintainer into thinking they’re being immensely productive while also introducing a plethora of legitimate bugs, which real users then report

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https://exch.gr/essays/you-can-see-everything-a-review/

Process ThingsYou Can See Everything: A Review | Process ThingsYou Can See Everything is an absolute masterpiece. A delicate kaleidoscopic fractal of deception, manipulation, and misrepresentation. It contains strong notes of Kiarostami’s Close-Up, often blending and blurring reality, a mode of working to which Nathan Fielder is extremely accustomed. I …
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